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THE IMPORTANCE OF HOLDING YOUR CAMERA STILL!
By Harold Merton, A.P.
The title of this column seems quite basic and to many people who make pictures
it is just common sense but if your pictures are not as sharp as they
could be then "camera movement" just might be a problem.
In the old days when we used cameras that shot roll film that was a couple
of inches wide and two or three inches long, it was not quite as important
to hold the camera perfectly still. Little defects were not as obvious
because the negatives were not enlarged very much.
However once we moved to small compact 35mm cameras, holding the camera
really still, has been extremely important because the negatives are nearly
always enlarged to some extent.
Let's think about your photographs for a moment. If you have someone
moving in your picture, you must use a relatively short shutter speed
like
1/500th of a second, 1/1000, or even shorter.
As long as your shutter is open it is going to capture an image no matter
where it is in the viewing area. That means if a person riding a bicycle
is included in the picture area it will record that object in every position
it occupies during the time the shutter is open to expose the film.
Ride a bicycle through the picture and it will show up as a blur unless
you use a short shutter speed because the bicycle is actually in several
positions during the exposure. That's what a blur really is - a number
of
images run together of the same thing that is moving. The images are all
run together so it appears as a blur.
However shorten your shutter speed to perhaps 1/1,000th of second and
the camera "freezes" the bicycle in a very small area.
For those of you who have been following this column for some time, you
will know that the proper exposure you need to make a picture (the perfect
amount of light) may be achieved by several combinations of aperture (the
size of the hole in the front of the lens) and shutter speed (the time
that the lens is open to allow light in).
1/1,000th of a second at an aperture of f8 gives the same exposure (the
same amount of light) as an exposure of 1/500th of a second at f11 or
even 1/250th of a second at f16. The total amount of light reaching the
film is the same.
Using a very short shutter speed lessens the chance of camera movement
simply because the shutter is not open as long and therefore there is
less chance of movement.
You must hold your camera really still when you are squeezing the shutter
release! Take a good hold of the camera and hold it tight to your face.
Keep your eye right up to the viewfinder and squeeze the shutter release
- don't punch it! If you push it hard (punching it) you may actually move
the camera down and that causes blur over the entire picture. That is
what we call "camera movement".
Squeezing the shutter release carefully, lessens the chance of camera
movement.What actually happens with camera movement is the entire picture
area is blurry because the camera has actually moved during the exposure.
If you look at your pictures carefully and the entire area is fuzzy or
blurry, then camera movement could be your problem.
If you are having trouble with camera movement there is something to be
said about putting your camera on a tripod or even one of the little unipods
that are sold these days. These small stands steady your camera extremely
well and are a must for any exposures longer than 1/30th of a second.
They are not just used for time exposures. Many photographers use them
whenever they can, especially for scenic pictures. If you don't have a
tripod with you and you want to hold the camera as still as possible then
set your camera on top of a short wall, a car or even a trash receptacle.
They will help you hold it still while the exposure is being made. I sometimes
place my camera against the trunk of a tree or the edge of the wall to
hold it perfectly still.
If you think you have camera movement but on close inspection of the print
you find that one spot in your picture is perfectly sharp and the rest
is blurry then you can look to something other than camera movement as
the problem. One sharp area with the rest blurry either indicates subject
movement or focusing problems.
I suggest to those looking for camera technique advice, to use a fast
shutter speed whenever possible because that just makes the potential
for camera movement even less. Of course there are times when this just
is not possible due to the amount of light in the area of your picture
but use a faster shutter speed whenever conditions allow it.
When you are making your pictures hold your camera tight to your face,
fill up the viewfinder so that you are not having to blow up just a part
of
the tiny 35mm negative and squeeze the shutter release carefully. Put
your camera on a tripod or use some other stationery object to help steady
it especially if you are using a telephoto lens. Movement is much harder
to control with longer focal length lenses than it is with a normal 50mm
standard lens.
Try these tips and the result just might make a considerable improvement
in your pictures.
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